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Edouard Manet
French Realist/Impressionist Painter, 1832-1883 The roughly painted style and photographic lighting in these works was seen as specifically modern, and as a challenge to the Renaissance works Manet copied or used as source material. His work is considered 'early modern', partially because of the black outlining of figures, which draws attention to the surface of the picture plane and the material quality of paint. He became friends with the Impressionists Edgar Degas, Claude Monet, Pierre-Auguste Renoir, Alfred Sisley, Paul Cezanne, and Camille Pissarro, through another painter, Berthe Morisot, who was a member of the group and drew him into their activities. The grand niece of the painter Jean-Honor?? Fragonard, Morisot's paintings first had been accepted in the Salon de Paris in 1864 and she continued to show in the salon for ten years. Manet became the friend and colleague of Berthe Morisot in 1868. She is credited with convincing Manet to attempt plein air painting, which she had been practicing since she had been introduced to it by another friend of hers, Camille Corot. They had a reciprocating relationship and Manet incorporated some of her techniques into his paintings. In 1874, she became his sister-in-law when she married his brother, Eugene. Self-portrait with palette, 1879Unlike the core Impressionist group, Manet maintained that modern artists should seek to exhibit at the Paris Salon rather than abandon it in favor of independent exhibitions. Nevertheless, when Manet was excluded from the International exhibition of 1867, he set up his own exhibition. His mother worried that he would waste all his inheritance on this project, which was enormously expensive. While the exhibition earned poor reviews from the major critics, it also provided his first contacts with several future Impressionist painters, including Degas. Although his own work influenced and anticipated the Impressionist style, he resisted involvement in Impressionist exhibitions, partly because he did not wish to be seen as the representative of a group identity, and partly because he preferred to exhibit at the Salon. Eva Gonzal??s was his only formal student. He was influenced by the Impressionists, especially Monet and Morisot. Their influence is seen in Manet's use of lighter colors, but he retained his distinctive use of black, uncharacteristic of Impressionist painting. He painted many outdoor (plein air) pieces, but always returned to what he considered the serious work of the studio. Manet enjoyed a close friendship with composer Emmanuel Chabrier, painting two portraits of him; the musician owned 14 of Manet's paintings and dedicated his Impromptu to Manet's wife. Throughout his life, although resisted by art critics, Manet could number as his champions Emile Zola, who supported him publicly in the press, Stephane Mallarme, and Charles Baudelaire, who challenged him to depict life as it was. Manet, in turn, drew or painted each of them.

 

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Edouard Manet The Model for the Folies Bergere Bar oil painting

Painting ID::  2685

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Edouard Manet
The Model for the Folies Bergere Bar

   
   
     

 

 

Edouard Manet The Execution of the Emperor Maximillion oil painting

Painting ID::  2686

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Edouard Manet
The Execution of the Emperor Maximillion
1867
   
   
     

 

 

Edouard Manet Study for The Execution of the Emperor Maximillion oil painting

Painting ID::  2687

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Edouard Manet
Study for The Execution of the Emperor Maximillion
1867 Museum of Fine Arts, Boston
   
   
     

 

 

Edouard Manet The House at Rueil oil painting

Painting ID::  2688

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Edouard Manet
The House at Rueil
1882 National Gallery of Victoria, Melbourne
   
   
     

 

 

Edouard Manet Boating oil painting

Painting ID::  2689

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Edouard Manet
Boating
1874 Metropolitan Museum of Art, New York
   
   
     

 

 

Edouard Manet Portrait of Gilbert Marcellin Desboutin oil painting

Painting ID::  2690

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Edouard Manet
Portrait of Gilbert Marcellin Desboutin
1875 Museum of Art, Sao Paolo
   
   
     

 

 

Edouard Manet Claude Monet Working on his Boat in Argenteuil oil painting

Painting ID::  2691

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Edouard Manet
Claude Monet Working on his Boat in Argenteuil

   
   
     

 

 

Edouard Manet The Horsewoman oil painting

Painting ID::  2692

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Edouard Manet
The Horsewoman
1875 Museum of Art, Sao Paolo
   
   
     

 

 

Edouard Manet Bathers on the Seine oil painting

Painting ID::  2693

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Edouard Manet
Bathers on the Seine
Museum of Art, Sao Paolo
   
   
     

 

 

Edouard Manet Portrait of Stephane Mallarme oil painting

Painting ID::  2694

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Edouard Manet
Portrait of Stephane Mallarme
1876 Musee d'Orsay, Paris
   
   
     

 

 

Edouard Manet The Balcony oil painting

Painting ID::  2695

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Edouard Manet
The Balcony
1868-69 Musee d'Orsay, Paris
   
   
     

 

 

Edouard Manet Portrait of Emile Zola oil painting

Painting ID::  2696

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Edouard Manet
Portrait of Emile Zola

   
   
     

 

 

Edouard Manet Rue Mosnier with Flags oil painting

Painting ID::  2697

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Edouard Manet
Rue Mosnier with Flags
1878 J.Paul Getty Museum, Malibu
   
   
     

 

 

Edouard Manet Woman in a Tub oil painting

Painting ID::  2698

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Edouard Manet
Woman in a Tub
1878-79 Musee d'Orsay, Paris
   
   
     

 

 

Edouard Manet Blond Woman with Bare Breasts oil painting

Painting ID::  2699

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Edouard Manet
Blond Woman with Bare Breasts
1878 Musee d'Orsay, Paris
   
   
     

 

 

Edouard Manet Still Life with Melon and Peaches oil painting

Painting ID::  2700

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Edouard Manet
Still Life with Melon and Peaches
1866 27 1/8" x 36 1/4" National Gallery of Art, Washington DC
   
   
     

 

 

Edouard Manet Gare St.Lazare oil painting

Painting ID::  2701

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Edouard Manet
Gare St.Lazare
1873 36 3/4" x 45 1/8" National Gallery of Art, Washington DC
   
   
     

 

 

Edouard Manet In the Conservatory oil painting

Painting ID::  2702

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Edouard Manet
In the Conservatory
1879 Nationalgalerie, Berlin
   
   
     

 

 

Edouard Manet The Waitress oil painting

Painting ID::  2703

X 
 

Edouard Manet
The Waitress
1879
   
   
     

 

 

Edouard Manet Pertuiset, Lion Hunter oil painting

Painting ID::  2704

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Edouard Manet
Pertuiset, Lion Hunter
1881 Museum of Art, Sao Paolo
   
   
     

 

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Edouard Manet
French Realist/Impressionist Painter, 1832-1883 The roughly painted style and photographic lighting in these works was seen as specifically modern, and as a challenge to the Renaissance works Manet copied or used as source material. His work is considered 'early modern', partially because of the black outlining of figures, which draws attention to the surface of the picture plane and the material quality of paint. He became friends with the Impressionists Edgar Degas, Claude Monet, Pierre-Auguste Renoir, Alfred Sisley, Paul Cezanne, and Camille Pissarro, through another painter, Berthe Morisot, who was a member of the group and drew him into their activities. The grand niece of the painter Jean-Honor?? Fragonard, Morisot's paintings first had been accepted in the Salon de Paris in 1864 and she continued to show in the salon for ten years. Manet became the friend and colleague of Berthe Morisot in 1868. She is credited with convincing Manet to attempt plein air painting, which she had been practicing since she had been introduced to it by another friend of hers, Camille Corot. They had a reciprocating relationship and Manet incorporated some of her techniques into his paintings. In 1874, she became his sister-in-law when she married his brother, Eugene. Self-portrait with palette, 1879Unlike the core Impressionist group, Manet maintained that modern artists should seek to exhibit at the Paris Salon rather than abandon it in favor of independent exhibitions. Nevertheless, when Manet was excluded from the International exhibition of 1867, he set up his own exhibition. His mother worried that he would waste all his inheritance on this project, which was enormously expensive. While the exhibition earned poor reviews from the major critics, it also provided his first contacts with several future Impressionist painters, including Degas. Although his own work influenced and anticipated the Impressionist style, he resisted involvement in Impressionist exhibitions, partly because he did not wish to be seen as the representative of a group identity, and partly because he preferred to exhibit at the Salon. Eva Gonzal??s was his only formal student. He was influenced by the Impressionists, especially Monet and Morisot. Their influence is seen in Manet's use of lighter colors, but he retained his distinctive use of black, uncharacteristic of Impressionist painting. He painted many outdoor (plein air) pieces, but always returned to what he considered the serious work of the studio. Manet enjoyed a close friendship with composer Emmanuel Chabrier, painting two portraits of him; the musician owned 14 of Manet's paintings and dedicated his Impromptu to Manet's wife. Throughout his life, although resisted by art critics, Manet could number as his champions Emile Zola, who supported him publicly in the press, Stephane Mallarme, and Charles Baudelaire, who challenged him to depict life as it was. Manet, in turn, drew or painted each of them.